到2020年，布里奇特·琼斯（Bridget Jones）首次亮相就将过去25年了——她最初出现在一篇报纸专栏中，该专栏详细讲述了她与男人、酒、香烟……以及紧身内裤之间的坎坷故事。海伦·菲尔德丁（Helen Fielding）笔下这个精彩的喜剧角色是20世纪90年代的标志性人物之一，一经出现便立刻引发了文化热潮。整整一代女性都能在布里奇特有趣又真实的三十多岁生活记述中看到自己的影子……

Voodoo deity transforms burlesque dancer into a "Valentine Vampire." Blood only whets her appetite--she must eat her victim's beating hearts. A bloody fun horror/comedy by director Richard Elfman, music by Danny Elfman and Ego Plum.

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In the GDR, purchasing a car was such a difficult process that many families applied for one years in advance. For example, Gisela secretly orders a Wartburg model after the birth of her first child. By the time the vehicle is ready, her daughter is a teenager, and Gisela's husband, who actually prefers walking, has already bought a second Wartburg from a friend in financial trouble. As a result, the couple decides to sign up for driving school together.

A mother struggles to accept the man her adult son has become.

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An Irish mother waiting up for her daughter with a pile of dirty dishes and a rolling pin.

A mix of cabaret and standup recorded at Joe's Pub in New York.

“做自己，才是一生的使命。已经行走过万水千山，已经体验过沧海桑田，只是忘了去造访，那个生而为人的自己的所在” “城市里爱过的、舍弃了的、失去的、忘记了的，也许太多，多得记不下。一趟旅程，找回那一块又一块的碎片，找回为人的感觉。” 影片勾勒了一种香港经验，前半部分在不断地“失忆”，后半部分在努力地“回忆”，悲剧的是，回忆的结果，看似仍然是无尽的失忆。失去和毁灭，发生在极冷的色调和令人屏息的死板压抑的构图里，逼人的肃穆。导演说，“这趟旅程，欲要找回为人的感觉。”片子用实验的笔触，讲述一个属于香港或者 说是属于城市弊疾的故事。——单佐龙 一位中年男人的旅程：他手牵山羊，从大厦飘移至海边，回到旧家中，看到辞世的父亲。